Magic To Do
I got the theater itch in high school. My gateway drug was fifth-grade choir. The choreography we added to the spring show in middle school took it up a notch, leading me to the a capella jazz ensemble in high school. This quickly escalated to the junior and senior class plays. I knew I was a hopeless addict when I found myself at an audition for a community theater production of “The Haunting of Hill House.” I got the lead and plunged into several post-high-school years of incessant thespian activity. Over the course of one very hectic year, I appeared in no less than five productions at as many different playhouses. This habit began to fade when I got married. My husband was not the kind of person who seeks any kind of spotlight, and community theater makes daunting demands on the free time of its participants. I was happy to get clean of this often sordid occupation. The drama was almost always more intriguing off-stage than on. Besides, as I got older, I developed a crippling...